Tuesday, 6 November 2018

Life of The Unborn Child



Life of The Unborn Child
Awakening the spirit of humanity through literary piece


Courtesy: John L Rothra
“Lo, children are heritage of the LORD: and the fruit of the womb is his reward.  As arrows in the land of a mighty man; so are children of the youth.”
     PSALM 127:3-4 KJV




Every living creature is called to become what is meant to be. The caterpillar is meant to become a butterfly; a seed into a full grown herb, bush or tree; and a human baby into a mature person, the person “who is fully alive, the glory of God” in the words of St. Irenaeus.
A number of researches of human development have been conducted. A lot of theories for human development have been forwarded. The process of human development involves beginnings and endings. What was this organism then? What will this organism be?
How this development happens is what we learn in our biology class. We’ve seen it to be a fantastic process. So wonderful process that we can’t help but experience a feeling of awe for the Power or Force or the Principle, God, as theist call this Power or Force. Hence, do you agree that that which is developing in the womb is a mere ‘blob of tissue’ or ‘uterine contents’ as abortionist claim?


 THE SILENT SCREAM 
I remember the film on abortion that I once saw, “The Silent Scream”. The mother submitted herself to a medical doctor for abortion in her third month of pregnancy. When the abortionist inserted his scalpel into the mother’s womb to crush the head of the fetus, very clearly in that film, the fetus had his/her mouth open like he was screaming for help as he evaded the deadly scalpel of the abortionist.
 That’s why the film was given the title “The Silent Scream”. This only means that the developing being in the womb is a human being and not just a conglomeration of cells or tissue.
That which is in the mother’s womb is indeed a developing human being. An unborn baby of eight weeks is not essentially different from one of eighteen weeks or twenty-eight weeks. From conception the zygote, the embryo and the fetus are undeniably human life.
Human life begins from the moment of conception. All that we have, all that we are have been there at the moment of conception!  The fact that you have brown eyes and black straight or curly hair, and the fact that you will turn bald at age 50 have been there at the moment of conception.


I wanted to share the article that I have read titled Life Before Birth which unveil the undeniable truth that the developing being inside the womb is life.

LIFE BEFORE BIRTH
            The development of human life in the womb was once a mystery, but science and medicine have changed that. Abortion advocates still try to dehumanize the developing baby in the womb by speaking of the child as “a blob of tissue” or “uterine contents.” But ultra sound images, pre-natal surgery and other advances in obstetrics are shattering the blob-of-tissue myth.
            Dr. Paul Rockwell, a New York physician, made these profound observations after his amazing encounter with a tiny unborn baby: “Eleven years ago, when I was giving an anesthetic for a ruptured ectopic pregnancy (at two months gestation), I was handed what I was believe was the smallest living human ever seen. The embryo sac was intact and transparent. Within the sack was a tiny human male swimming extremely vigorously in the amniotic fluid, while attached to the wall by the umbilical cord.
This tiny human was perfectly developed, with long, tampering fingers, feet and toes. It was transparent, as regards the skin and the delicate arteries and veins were prominent to the ends of the fingers. “The baby was extremely alive and swam about the sac approximately one time per second, with a natural swimmer’s stroke. This tiny human did not look at all like the photos and drawings and models of ‘embryos’ which I have seen, nor did it look like a few embryos I have been able to observe since then, obviously because this one was alive.
When the sac was opened, the tiny human immediately lost its life and took on the appearance of what is accepted as the appearance of an embryo at this stage (blunt extremities, etc.)
“It is my opinion that if the lawmakers and people realize that this very vigorous life is present, it is possible that abortion would be found more objectionable than euthanasia.”
The point at which Dr. Rockwell witnessed this unborn baby – eight weeks after conception – is during the period that a majority of abortionist describe as most desirable for performing an abortion.

Source: https://www.mccl.org/prenataldevelopment


Based on these facts, it is wrong to do abortion. The womb is supposed to be the safest all places for human development. Unfortunately, however, with scourge of abortion it has become a tomb!
Look at yourself. You are perfectly made, the one “who is fully alive, the glory of God” or should we say “the heritage of the Lord” (Ps. 127:3). The cells of your lips are at your lips. Your mouth is close to your nose. You can breathe normally. You are a bundle of possibilities. If you can live, like any other living thing is meant to be; so are babies inside the wombs of all mothers around the world.

− Kim Menendez


Friday, 18 May 2018

Literary Theory & Critical Practice: Bleach Volume 74 Poem Explained




Bleach Volume 74 Poem

It’s been 2 years since Bleach ended and now it’s 2018, and I really want to get back to it.

Other people would ask me: “Why do you love this Manga [Bleach]?”

I love this Manga because I love literature. To me, this form of literature is rarely seen in history. I want to take a look at a feature of BLEACH that doesn’t get enough attention: the poems. Every volume of the manga has a poem centered around the character featured on its respective cover. A majority of these poems are very enlightening and one has to wonder about Kubo’s intentions in inserting them into the manga. And I think his style of storytelling/writing reflects his inclination towards poetry - perhaps one of the reasons why a lot of people don't appreciate Bleach...?

Poems are something you usually don’t see in a majority of manga series. Kubo, however, makes it an emphasis to include a poem in every volume. Does he want his readers to be inspired and see the world in a different light than what people would tell them otherwise? People write poems for a variety of reasons: self-expression, creative expression, inspiration/motivation, and emotional expression

I really want to commend Kubo-sensei. One adage and it kept me thinking all night. I love what he does with this volume 74 poem. At first, I didn’t understand it at all, but then I remembered Ichigo’s poem in the first volume, and it had a connection to this. And then I saw Rukia’s poem in the second volume. And I remembered Aizen’s speech on “Courage”.

Before everything else
All the images belong to Kubo Tite and JUMP Comic and I take no credit.


Let’s start from here.




I think the picture there is a play on this panel:










That’s Ichigo becoming the ultimate protector in his eyes - his mom
I think this panel is a foreshadowing on how Ichigo really becoming a protector to everyone like how his mom, Masaki, protected him when she was alive. Ichigo is just a common person with a tragic past and he’s is not like every shonen character because he only wants to protect, not because he tries to act as a hero. Just like what he said, “To protect everyone.”

Then next are the wordings.
Note: The 1st and last volume just start the same way


poem 74:
我等は姿無くとも
warera wa sugatanaku tomo
”Even if we are without form,

歩みは止めず
ayumi wa tomezu
we do not stop moving forward”









1st  poem:
我らは 姿無きが故に
warera wa sugatanaki ga yue ni
“We fear

それを畏れ
sore o osore
that which we cannot see.”











What is this “without form” mean in poem 74? It is death and death is what cannot be seen by our eyes. In reality, as well as at the start of the series, no one knew about the afterlife, what happens after you die, whether you become a soul or just disappear. As far as ordinary people are concerned - We die - we lose form, become invisible – people will forget us. That is why we are so afraid of dying. That is something worth being afraid of.  At least this is what I think Ichigo’s talking about in 1st poem. The second poem made me think that he’s referring to death. 




2nd poem:
人が希望を持ちえるのは
hito ga kibou o mochieru no wa
“People can hold on to hope

死が目に見えぬものであるからだ
shi ga me ni mienu mono de aru kara da
“because death is something that cannot be seen with eyes



Here’s the other translation from halcyonjazz:
“People can possess hope
because our eyes are unable to see death.


 So death has no form, therefore we cannot see it. These volume 1 & 2 poems go hand in hand with each other. The first poem is stating that we are afraid of something (We fear that which we cannot see.”), and the second is explaining what exactly it is we are afraid of (it is something that cannot be seen with eyes or what our eyes are unable to see).
These lead us to chapter 686, the last chapter
Yhwach’s speech:


















Yhwach is telling Ichigo that his defeat meant the continuation of death and the fear accompanying it, meaning that this formlessness is forever.

Then, we have Aizen’s speech on courage, in which he offers a rebuttal to Yhwach’s vision of world. And it is also contained the explanation of the poem 74, tying the 1st and the 2nd poems as well.




























Here’s the fear of death, from Ichigo’s poem 1.
Here’s the hope that can people hold on to from Rukia’s poem 2
And here’s the “we do not stop moving forward” from poem 74.


Aizen-san states that in creating such a world without fear of death would result in one which would be without hope. He remarks while people could go through life simple living, it does not compare to courageous individuals like Ichigo, who is willing to face death and cut through fate without fear.
___________________________________

P.S.                     
Oh, my God! I’m crying... what a ton of tears I have when it comes to Bleach especially when I always remember Ichigo’s rainy days, he’s memories in the rain. Yes, it’s everything but the rain.  (But I’d like to say “Thank you Aizen for playing a respective role in the life of Ichigo’s parents, Isshin & Masaki. Without you, Aizen, there would no Ichigo.”) Hence I had a theory that Aizen is Kubo's rendition in the manga.
The poem conveys what Ichigo has learnt from Rukia, the one that get us through life. That helps us keep on moving forward, even we are without form. Because she thought him the courage, no matter how you view the bond these two have in a manga, it is undeniable. She was the one who told him that despair cannot even hope to stop him.

But let’s back on how the series started, Ichigo met Rukia. They’re the one who started the series. Then fast forward to the Arrancar arc when Aizen claimed what his doing, which he planned everything just how Ichigo met Rukia and gained his Shinigami power through her. These two are the core of this manga. I think that was the reason why Kubo put Ichigo and Rukia in the last volume cover. Then Aizen gave that speech on courage as the explanation of volume 74 poem itself, and the fact that the volume 1 & volume 74 had the same title.  Now I can see clearly the logic. The two have such a strong bond. The two of them are what makes Bleach as Bleach, they are made for each other but Kubo decided that romance is not for them. In spite how the ending turned out to be, just look how their bond even extends to their children; Kazui Kurosaki (as little Ichigo) met Ichika Abarai (as little Rukia).

It doesn’t matter to me what is the ending (because others are saying it was rushed). Kubo was right. Time goes on but this bond will never break. The bond we have, well, at least I do, with this manga is unbreakable. In the end it doesn’t even matter, Bleach is always Bleach for me. 


NOTES:
But you probably wondering where did I get this “… we do not stop moving forward” in Aizen speech.
So, here’s where I’m coming from.

·         The imagery on Aizen speech and on poem 74 is the same. Notice the phrase “marching forward in the face of death.” Does this phrase draw the same imagery on poem 74? Yes, it is! 

The figure speech here is paradox, which expresses a seemingly self - contradictory.
Example: 
While it is true that people can continue to press forward through the simple act of living

versus

That is in no way comparable to marching forward in the face of death, while doing their damndest to keep it at bay. That is why… “


REFERENCES:


§  Kubo, Tite (2016). Bleach, Volume 74: The Death and the StrawberryShueisha. ISBN 978-4-08-880774-4
§  Kubo, Tite (2013). Bleach, Volume 60: Everything but the Rain. Shueisha. ISBN 978-4-08-870782-2
§  Kubo, Tite (2012). Bleach, Volume 54: Goodbye to Our Xcution. Shueisha. ISBN 978-4-870386-2
§  Kubo, Tite (2008). Bleach, Volume 36: Turn Back The Pendulum. Shueisha. ISBN 978-4-08874603-6
§  Kubo, Tite (2004). Bleach, Volume 3: Memories in the Rain. Viz Media. ISBN 1-59116-443-5
§  Kubo, Tite (2004). Bleach, Volume 2: Goodbye Parakeet, Goodnite My SistaViz Media. ISBN 1-59116-442-7
§  Kubo, Tite (2004). Bleach, Volume 1: The Death and the StrawberryViz Media. ISBN 1-59116-441-9

Tuesday, 24 October 2017

Literary Theory & Critical Practice : The Son of Neptune





The Heroes of Olympus Book 2
The Son of Neptune
By Rick Riordan






ABOUT THE AUTHOR
RICK RIORDAN
Richard Russell Riordan Jr. better known as Rick Riordan is The New York Times bestselling American author of the Percy Jackson and Olympians series. Born on June 5, 1964, Rick Riordan grew up in Texas. He attended the Alamo Heights High School, graduating in 1982. For higher education Rick enrolled at the University of Texas in Austin double majoring in English and history. After graduation from the university in 1986, Rick Riordan chose teaching for a career. For 15 years Rick taught English, history and Greek mythology at various middle schools in the San Francisco Bay Area and in San Antonio. In 2002, he was presented the St. Mary’s Hall’s first Master Teacher Award for his exceptional teaching services.
Rick began to enjoy writing from an early age. He made many unsuccessful attempts of publishing his short stories in teenage years. At school, Rick was appointed the editor of the high school newspaper. It was not until graduation from college and teaching in San Francisco that Riordan took writing seriously.

Riordan’s son, Haley who was diagnosed with ADHD and dyslexia held a keen interest in a subject his father taught, Greek mythology. Then in the second grade, Haley would often request upon Rick to tell him stories inspired by Greek mythologies. In order to fulfill his son’s request, Riordan quickly invented the character of Percy Jackson, a twelve year boy who suddenly discovers he is the son of a Greek God. Riordan began a creatively crafted imaginative tale of Percy’s expedition to bring back Zeus’s lightning bolt in present day America. After Rick finished telling the story in three nights, Haley requested him to write down the story as a book. Not wanting to disappoint his son, Riordan took out time to write down the story. To show his respect and care for dyslexic children, Riordan attributed some characteristics of this disease to Percy. Thus, Riordan’s world famous Percy Jackson series came into being.

SOURCE ABOUT RIORDAN’S BIOGRAPHY\
             "About the Author". powells.com. Retrieved November 12, 2009.



MAJOR CHARACTERS:

Percy Jackson: A Greek demigod who has lost his memory and wandered into a Roman demigod training camp, the Camp Jupiter. His father is Poseidon (Neptune), the Greek sea god, also known as Neptune in Roman Mythology.

Hazel Levesque: Daughter of Pluto (Hades) and Nico's half-sister. She has been recently resurrected by Nico from her death in 1942 at the age of 13 and lives in Camp Jupiter. She has a crush on Frank Zhang. She is an African American demigod from New Orleans.

Frank Zhang: A son of Mars or Ares in Greek. He is a Roman demigod at Camp Jupiter, a camp for Roman demigods. He has a crush on Hazel, which she reciprocates. He is a Chinese Canadian.

Ella: An intelligent talking harpy and became friend with Percy, Hazel and Frank uring their journey on Portland.

Nico di Angelo: Son of Pluto and Hazel’s half-brother. He is also known as “Pluto’s ambassador.”

Reyna Avila Ramirez-Arellano: The Praetor of the Camp Jupiter, daughter of Bellona, the Roman goddess of war. It is found that Reyna and her sister Hylla were servants of the witch Circe, whom Annabeth and Percy had killed in The Sea of Monsters.

Gaea: The goddess of the Earth. She’s planning to destroy the gods and the world along with them. She has created seven children, all of whom are giants. Each of these giants is matched to fight a god who is an enemy.

Octavian: A blonde-haired boy holding a teddy. The ceremonial leader in the Camp Jupiter


MINOR CHARACTERS:

Juno: Also known as Hera in Greek. She wiped away the memories of Percy and Jason to unite the two demigod camps and she presented Percy Jackson to the Romans as the son of Neptune.

Mars: The Roman God of war (Ares). He sent the three (Percy, Hazel & Frank) to the quest.

Alcyoneus: Gaea’s son and destined to defeat Pluto (Hades).

Polybotes: He’s also Gaea’s son and destined to defeat Neptune (Poseidon).

Thanatos: Pluto's lieutenant and the god of death.

Tyson: A Cyclops and Percy’s half-brother.

Queen Hylla Ramirez-Arellano: Amazon’s queen and the sister of Reyna

Jason Grace: A Roman demigod and the son of Jupiter. He also lost his memory and Juno swapped him to Percy into a Greek training camp, the Camp Half-blood.


Settings: (Arranged according to order, from 1st setting to the last)
-          San Francisco, California
-          Camp Jupiter
-          Canada
-          Hubbard Glacier, Alaska

THEME:
            For me the story tackles about friendship, teamwork and duty and sacrifice. Let me explain.

Friendship:
True friends can accept who you are and whatever the past you have. In the story, Percy Jackson had lost his memory. He can’t remember anything about his past accept the name of his girlfriend, Annabeth and wandered at the Roman training camp. When he arrives at Camp Jupiter, he is assisted by two new friends, Frank and Hazel, the two Roman demigods who take him under their wing. And when the time came that Percy gained his memory, he told Hazel and Frank that he is a Greek demigod. The two accepted him with all their hearts even there’s a past history of conflict between their races, Romans and Greeks. Also Hazel and Frank had bad experience in their past which is the reason why they became outcasts in the Camp Jupiter. Hazel helped Gaea to raised Alcyoneus while Frank is affected about the bad issue of his grandfather. The two didn’t want to tell about their secret past to each other, even to Percy because they don’t want lost the friendship they have.

Teamwork:
            The three need to unite and help each other to defeat the giants. Its just like, “More heads is better than one.”

Duty and Sacrifice:
            “Duty and sacrifice, they mean something.”
        Rick Riordan from The Son Of Neptune

We will see the proof of that quotation to the most exciting part of the story. When the three questers found Thanatos, they have to free him and fight the monsters. Percy and Hazel handled the monsters while Frank went and tried to flee the God of death through burning his piece of firewood where his life defends on it. Frank knows that if his piece of firewood will consume, he will die. And if he will flee Thanatos, Hazel will die for she was once dead but Nico has been resurrected her. Despite of these circumstances, Frank did his duty. He know as a leader of the quest he have to do his duty to save the world even he and Hazel, the girl he loves will going to die after he flee Thanatos. He’s willing to sacrifice his life to finish the quest for he knows that even he and Hazel will die, they’re going to leave a great legacy for what they did because of the quest. And because of sacrifice they are rewarded at the end of the quest, there still small remaining piece of firewood for Frank to continue to live and Thanatos tells Hazel that he has no orders to take her back to the Underworld, so she is free to continue living.



TYPES OF CONFLICT:
·         Man vs. self
·         Man vs. man

Man vs. self
             To me, the biggest conflict in the Son of Neptune. Percy has to overcome his state of being without a memory. Percy describes his period of no memory as tough and frustrating. He can only remember the name Annabeth. There are many times when Percy is upset that he cannot remember anything. In some moments he needed his memory to connect the dots about the quest they were going to try and solve. Also Hazel and Frank have to overcome the bad experiences in their pasts.

Man vs. man
            The people consist of Percy and his friends and Gaea. The only way to keep the world from being destroyed is to rescue the god of death but the god of death is being held capture by Gaea. Percy has to fight Gaea throughout the entire book. Percy is very frustrated about the tying he has to go through with Gaea.



PLOT:
Circular (ln Medias Res)

Introduction:
Percy Jackson has spent three days battling the snake-haired ladies, and frankly, he wishes they'd just stay dead. No matter how many times he's killed the gorgons, they turn up several hours later, ready to battle him again. To top it off, he's found himself in San Francisco with no memory of how he got there and only a dim memory of his past. He does remember his girlfriend, Annabeth, and waking up in Wolf House about two months ago. But that is all.
When he awoke in Wolf House, he'd been given a magical pen that turns into a bronze sword. The sword is named Riptide. As Percy escapes from the gorgons for the umpteenth time, he spies a maintenance tunnel guarded by two Roman soldiers. Something tells him that this is where he's supposed to go, but it means crossing a busy divided highway to get there. An old woman appears, looking like a deranged hippie, and tells him that his suspicions are correct. He needs to go to the tunnel because it's actually the entrance to a camp. The old woman, called June, gives Percy a choice. He can leave her here, at the mercy of the gorgons, and run to the ocean where he'll be safe for eternity; or he can carry her with him into the camp.

Rising Action:
If he leaves June, then the gods will die, everyone he knows will die, and the earth will be destroyed. Percy opts to carry June to the camp. The closer he gets, the heavier June becomes, but he struggles to complete the task. The Roman guards, who are teenagers like Percy, are named Hazel and Frank. They help him evade the gorgons who have followed him into the tunnel. When they get to a river, June informs Percy that if he crosses the river, he will lose his invincibility. If he doesn't cross, the world will end.
Thinking of Annabeth, Percy carries June across the river to the Roman camp just beyond it. The gorgons capture Frank. Percy then commands the river water to fight the gorgons so they are forced to release Frank. Once they reach the other side, June transforms into the goddess Juno and informs everyone at the camp of Percy's identity. He is the son of Neptune. She also warns that if the god of death is not released by the Feast of Fortuna, then they will not be able to defeat their enemies.

Conflict
Conflict: it’s started when Gaea, the goddess of Earth planning to destroy the gods and the world along with them. She has created seven children, all of whom are giants. Each of these giants is matched to fight a god who is an enemy. That why its require to unite the Romans and Greeks along with the seven half-bloods to defeat the her and the giants.

Complication:
Frank helps Hazel and Percy set up battle stations in the attic. He holds off the giants by shooting potatoes at them, which causes their disintegration, while Percy and Hazel go to the garage and drive Grandmother's Cadillac outside. The giants destroy the house, but Percy and his friends escape to an airfield where a plane has been chartered to take them to Alaska. The harpy Ella won't ride on the plane, so she takes refuge in the forest.

Suspense:

Once in Alaska, the three demigods take a train to the Hubbard Glacier but are attacked by gryphons along the way. Frank uses the last charge of his spear to raise the skeletal warrior so it can save the other passengers while he and his friends escape. Percy then falls into a bog, but Hazel jumps in to save him. She is tempted by Gaea to betray her friends, but resists Gaea's offer. She learns that Gaea has taken her brother, Nico, prisoner.          Hazel saves Percy, and the three continue their quest. When gryphons attack them again, Hazel makes what she thinks is a futile attempt to call Arion, whom they left in Canada. Arion arrives in time to save the demigods, and then carries them across the water to the Hubbard Glacier. 


Climax:
            The climax is when the group finds Thanatos, the God of Death, they have to flee him and fight the monster. Percy and Hazel handled the monster while Frank went and tried to flee the God of Death.

Resolution:
            For me, there’s no resolution. It hasn’t done yet. The story will continue to the next sequels of the book: The Mark of Athena, The House of Hades and The Blood of Olympus.





© COPYRIGHT 2017
The Son of Neptune from BookRags. (c)2016BookRags, Inc. All rights reserved.



Life of The Unborn Child

Life of The Unborn Child Awakening the spirit of humanity through literary piece Courtesy: John L Rothra “Lo, children are...